• 16mm cassette reloads (you send us your 16mm cassettes)
  • 16mm reloads Aristachrome 400 (one reload) 16mm $ 5.35 A film for low-light situations. Uses standard E-6 developer. Unperforated. No REMJET backing.
  • 16mm reloads Aristachrome 400 (five reloads) 16mm $ 23.73 A film for low-light situations. Uses standard E-6 developer. Unperforated. No REMJET backing.
  • 16mm Fujichrome MS 100/1000 (one reload) 16mm $ 6.00 A film for any light situation. Variable film speeds from 100 to 1000.  Uses standard E-6 developer. Unperforated. No REMJET backing.
  • 16mm Fujichrome MS 100/1000 (five reloads) 16mm $ 25.00 A film for any light situation. Variable film speeds from 100 to 1000.  Uses standard E-6 developer. Unperforated. No REMJET backing.
  • 16mm reloads Kodak Ektachrome 7239 (one reload) 16mm $ 5.34 ISO 160. A fine-grained film for average situations. Uses standard E-6 developer. Single perforated. No REMJET backing.
  • 16mm reloads Kodak Ektachrome 7239 (five reloads) 16mm $ 23.63 ISO 160. A fine-grained film for average situations. Uses standard E-6 developer. Single perforated. No REMJET backing.
  • 16mm reloads Agfacolor Optima 400 (one reload) 16mm $ 5.26 A film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm reloads Agfacolor Optima 400 (five reloads) 16mm $ 22.83 A film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm reloads Aristacolor 100 (one reload) 16mm $ 5.10 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm reloads Aristacolor 100 (five reloads) 16mm $ 21.23 A fine-grained film for average situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm reloads Aristacolor 400 (one reload) 16mm $ 5.21 A film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm reloads Aristacolor 400 (five reloads) 16mm $ 22.33 A film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm reloads Konicacolor Impresa 50 (one reload) 16mm $ 4.98 A super-fine-grain film for bright conditions. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm reloads Konicacolor Impresa 50 (five reloads) 16mm $ 20.03 A super-fine-grain film for bright conditions. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm reloads Kodak EXR 50D 7245 (one reload) 16mm $ 5.42 ISO 50. A super-fine-grain film for bright conditions. Uses standard C-41 developer. Double perforated. Has a REMJET backing.
  • 16mm reloads Kodak EXR 50D 7245 (five reloads) 16mm $ 24.43 ISO 50. A super-fine-grain film for bright conditions. Uses standard C-41 developer. Double perforated. Has a REMJET backing.
  • 16mm reloads Kodak Vision3 250D 7207 (one reload) 16mm $ 5.42 ISO 250. A super-fine-grain film for many conditions. Uses standard C-41 developer. Single perforated. Has a REMJET backing.
  • 16mm reloads Kodak Vision3 250D 7207 (five reloads) 16mm $ 24.43 ISO 50. A super-fine-grain film for many conditions. Uses standard C-41 developer. Single perforated. Has a REMJET backing.
  • 16mm reloads Kodak Plus-X Reversal (one reload) 16mm $ 4.98 ISO 50. A fine-grained slide film for average situations. Double perforated. No REMJET backing.
  • 16mm reloads Kodak Plus-X Reversal (five reloads) 16mm $ 20.03 ISO 50. A fine-grained slide film for average situations. Double perforated. No REMJET backing.
  • 16mm reloads Ilford Delta 400 (one reload) 16mm $ 5.21 ISO 400. A high-speed film for low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm reloads Ilford Delta 400 (five reloads) 16mm $ 22.33 ISO 400. A high-speed film for low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm reloads Ilford Delta 100 (one reload) 16mm $ 5.19 ISO 100. A fine-grained film for average situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm reloads Ilford Delta 100 (five reloads) 16mm $ 22.13 ISO 100. A fine-grained film for average situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm reloads Ilford XP2 400 (one reload) 16mm $ 5.21 ISO 400. A high-speed film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm reloads Ilford XP2 400 (five reloads) 16mm $ 22.33 ISO 400. A high-speed film for low-light situations. Uses standard C-41 developer. Unperforated. No REMJET backing.
  • 16mm reloads Kentmere 400 (one reload) 16mm $ 4.21 ISO 400. A high-speed film for low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm reloads Kentmere 400 (five reloads) 16mm $ 20.33 ISO 400. A high-speed film for low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm reloads Kodak TMAX 3200 (one reload) 16mm $ 5.72 A super-high-speed film for very low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm reloads Kodak TMAX 3200 (five reloads) 16mm $ 27.43 A super-high-speed film for very low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm reloads Kodak Imagelink FS (one reload) 16mm $ 4.96 ISO 50. A fine-grained microfilm for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm reloads Kodak Imagelink FS (five reloads) 16mm $ 19.83 ISO 50. A fine-grained microfilm for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm reloads Kodak 2484 (one reload) 16mm $ 5.16 ISO 800. A super-high-speed film for very low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm reloads Kodak 2484 (five reloads) 16mm $ 21.83 ISO 800. A super-high-speed film for very low-light situations. Uses any standard B&W developer. Unperforated. No REMJET backing.
  • 16mm reloads Fuji HS-U (one reload) 16mm $ 4.96 ISO 50. A fine-grained microfilm for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm reloads Fuji HS-U (five reloads) 16mm $ 19.83 ISO 50. A fine-grained microfilm for average situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm reloads Fuji HR II (one reload) 16mm $ 7.84 ISO 20. A super-fine-grained microfilm for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm reloads Fuji HR II (five reloads) 16mm $ 19.83 ISO 20. A super-fine-grained microfilm for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm reloads Fuji SUPER HR (one reload) 16mm $ 7.84 ISO 20. A super-fine-grained microfilm for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.
  • 16mm reloads Fuji SUPER HR (five reloads) 16mm $ 19.83 ISO 20. A super-fine-grained microfilm for bright situations. Uses a low contrast developer. Unperforated. No REMJET backing.

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