Some may wonder why 35mm film is listed on a submini web page. 35mm film is used for all half-frame cameras, and is split into 17.5mm format film (for Hit cameras), or slit down to 16mm or smaller for new emulsions not available in those formats.
*The films that are least likely to be useful to subminiature photographers are those that have extremely low film speeds, are extremely high contrast microfilms, require special processing, are non-panchromatic, have a resin backing or have other obstacles for you to overcome.
*These films come in various types of perforations. Not all will fit in 35mm cameras. Some are unperforated, which is fine if you intend to split the film for 17.5mm use. Others are only available in "Bell & Howell" perforations, which are similar to 35mm "standard" perforations", but will not work in MOST 35mm cameras. So check with the manufactuer first.
* Resin Backing refers to the special carbon-black anti-halation backing added to many motion picture films. Unlike regular films, this backing must be physically removed during the processing of the film with a rubbing or buffing process. For information on removing this layer during processing, see the Robert Chapman column in the May/June (1996) issue of Photo Techniques.
* Film lengths are not listed. Ech film comes in different types of film lengths. In addition, different films and different lengths come on different types of spools and reels. These and other factors may affect your purchasing decision. Film specifics and availability are always subject to change when you least expect it.
* Listed microfilm speeds are estimates when these films are used in pictorial photography. Speeds listed in the manufacturers' literature are based on their intended high-contrast microfilm use. The speed that you actually use will vary greatly depending on the developer used and the contrast index or gamma sought. Check out the Darkroom for special formulas for these films.
* Many of these items are special order items which will be hard to find in sales catalogs and not financially rewarding enough to order for many local sales persons. Locating outlets that specialize in motion picture film and microfilm may prove to be useful. The manufacturers may be able to point you in the right direction.
* Not all chemicals for developing all of these films are available in packaged "kits" for easy mixing. For some processing, you will need to be able to purchase and mix the raw chemicals. Some films require extra special processing, such as heat or ammonia vapors, which can be dangerous. DON'T TRY PROCESSING ANY OF THESE FILMS UNLESS YOU ARE AWARE OF WHAT PRECAUTIONS NEED TO BE TAKEN AND ARE CAPABLE OF TAKING THEM.
* Once you decide on a film, ordering it will be another obstacle. Not every
store will be willing or able to order it. First, they'll have to be able
to find it in their catalog, a more difficult task than you would think.
If it happens to be in a special catalog that they don't have, they can't
order it. And since it is not financially rewarding enough for many local
sales persons, you may need to "sweeten the pot". Don't be surprised if your
local camera store tells you "They don't make that anymore". A more common
question is "What do you want that for?" or "What are you going to do with
it?". Then they will try to talk you out of using the film that you want
and into something that they have "on-hand". They don't know what else to
say. Locating outlets that specialize in motion picture film and microfilm
may prove to be useful. The manufacturers may be able to point you in the
right direction. One place to try is Studio Film and Tape. They get
left over stock from production runs, so they have good prices. However,
their supply on the more unusual films is limited.
800-824-3130 (Hollywood)
800-467-0070 (Chicago)
800-444-9330 (New York).
Another shop to try is Prep Film Services. While their prices are somewhat higher, they are more likely to have what you want in stock, AND they offer processing. 800-793-3456 (Northville, Michigan).
*Besides perforations, you'll also need to determine what type of "spooling" and length you want for the film. Films come in different lengths from 100 feet to 2500 feet. Some do not come in the "short" 100 foot size, so don't be surprised if you are told that the film you want only comes in the 1,000 foot roll! Some films come on special reels or in cartridges that make using the film more difficult.
* Technical and sales information on these films is not available from any one source within the manufacturing company, since motion picture and microfilm production (and sales) are normally separate and distinct divisions. It seems crazy to me, but you can't just call one telephone number and get all the information you need about all the 35mm films that a company manufacturers -- welcome to the 21th century! And don't be surprised when you get the right "division" of the manufacturer and they STILL don't know anything about the film that you want.
* For more information than that listed here ask for technical data sheets. Contact:
Agfa (201) 440-2500
Fuji (800) 326-0800
ILFORD
Kodak (800) 242-2424
web site for info on some of Kodak's motion picture films
web
site for info on some of Kodak's micro films
Type of perforations are noted as P = standard 35mm perforations, U = unperforated.
film name | film type | film use | light balance | sensitivity | daylight speed | tungsten speed | perforations | resin backing? | processing | lengths |
Agfa Copex Pan AHU | B&W Negative | Micro Film | Pan | U | No | 100 130 1007 | ||||
Agfa Copex Rapid AHU | B&W Negative | Micro Film | Pan | U | No | 100 | ||||
Agfa Copex Positive Film | B&W Negative Duping | Micro Film | Blue | U | No | 1000 2000 | ||||
Agfa Copex Direct Duplicating | B&W Negative Duping | Micro Film | Ortho | U | No | 1000 | ||||
Agfa Agfachrome CTx 100 | Color Slide | Still Picture | Daylight | Pan | 100 | P | No | E-6 | ? | |
Agfa Agfachrome CTx 200 | Color Slide | Still Picture | Daylight | Pan | 100 | P | No | E-6 | ? | |
Agfa Agfachrome CTx 100 | Color Slide | Still Picture | Daylight | Pan | 200 | P | No | E-6 | ? | |
Agfa Agfachrome 50RS Plus Professional | Color Slide | Still Picture | Daylight | Pan | 50 | P | No | E-6 | ? | |
Agfa Agfachrome 200RS Professional | Color Slide | Still Picture | Daylight | Pan | 200 | P | No | E-6 | ? | |
Agfa Agfachrome 100RS Plus Professional | Color Slide | Still Picture | Daylight | Pan | 100 | P | No | E-6 | ? | |
Agfa Agfachrome 1000RS Professional | Color Slide | Still Picture | Daylight | Pan | 1000 | P | No | E-6 | ? | |
Agfa Scala 200 | B&W Slide | Still Picture | Daylight | Pan | 200 | P | No | Special Agfa | ? | |
Agfa Agfacolor XRS 400 Professional | Color Negative | Still Picture | Daylight | Pan | 400 | P | No | C-41 | ? | |
Agfa Agfacolor XRS 1000 Professional | Color Negative | Still Picture | Daylight | Pan | 1000 | P | No | C-41 | ? | |
Agfa Agfacolor HDC 100 | Color Negative | Still Picture | Daylight | Pan | 100 | P | No | C-41 | ? | |
Agfa Agfacolor HDC 200 | Color Negative | Still Picture | Daylight | Pan | 200 | P | No | C-41 | ? | |
Agfa Agfacolor HDC 400 | Color Negative | Still Picture | Daylight | Pan | 400 | P | No | C-41 | ? | |
Agfa Agfacolor Ultra 50 | Color Negative | Still Picture | Daylight | Pan | 50 | P | No | C-41 | ? | |
Agfa Agfacolor Optima 125 | Color Negative | Still Picture | Daylight | Pan | 125 | P | No | C-41 | ? | |
Agfa Agfacolor Optima 400 | Color Negative | Still Picture | Daylight | Pan | 400 | P | No | C-41 | ? | |
Agfa Agfacolor Optima 200 | Color Negative | Still Picture | Daylight | Pan | 200 | P | No | C-41 | ? | |
Agfa Agfacolor Portrait 160 | Color Negative | Still Picture | Daylight | Pan | 160 | P | No | C-41 | ? | |
Agfa Agfapan APX 25 Professional | B&W Negative | Still Picture | Daylight | Pan | 25 | P | No | standard | ? | |
Agfa Agfapan APX 100 Professional | B&W Negative | Still Picture | Daylight | Pan | 100 | P | No | standard | ? | |
Agfa Agfapan APX 400 Professional | B&W Negative | Still Picture | Daylight | Pan | 400 | P | No | standard | ? | |
Foma Fomapan T 100 | B&W Negative | Still Picture | Daylight | Pan | 100 | P | No | Standard | ? | |
Foma Fomapan T 200 | B&W Negative | Still Picture | Daylight | Pan | 200 | P | No | Standard | ? | |
Foma Fomapan T 400 | B&W Negative | Still Picture | Daylight | Pan | 400 | P | No | Standard | ? | |
Foma Fomapan T 800 | B&W Negative | Still Picture | Daylight | Pan | 800 | P | No | Standard | ? | |
Forte Fortepan 100 | B&W Negative | Still Picture | Daylight | Pan | 100 | P | No | Standard | ? | |
Forte Fortepan 200 | B&W Negative | Still Picture | Daylight | Pan | 200 | P | No | Standard | ? | |
Forte Fortepan 400 | B&W Negative | Still Picture | Daylight | Pan | 400 | P | No | Standard | ? | |
Fuji Super HR | B&W Negative | Micro Film | Tungsten | Pan | U | No | 100 131 215 | |||
Fuji RE | B&W Negative | Micro Film | Ortho | ? | 246 492 | |||||
Fuji HRII | B&W Negative | Micro Film | Tungsten | Pan | U | No | 100 131 215 | |||
Fuji SEII | B&W Negative or Positive | Micro Film | Ortho | ? | 246 492 | |||||
Fuji Fujicolor F-250D | Color Negative | Motion Picture | Daylight | 250 | 64 | P | Yes | 100 200 400 1000 2000 | ||
Fuji Fujicolor F-125 | Color Negative | Motion Picture | Tungsten | 80 | 125 | P | Yes | 100 200 400 1000 2000 | ||
Fuji Fujicolor F-500 | Color Negative | Motion Picture | Tungsten | 320 | 500 | P | Yes | 100 200 400 1000 2000 | ||
Fuji Fujicolor F-64D | Color Negative | Motion Picture | Daylight | 64 | 16 | P | Yes | 100 200 400 1000 2000 | ||
Fuji Fujicolor F-250 | Color Negative | Motion Picture | Tungsten | 160 | 250 | P | Yes | 100 200 400 1000 2000 | ||
Fuji Fujicolor Intermediate FCI | Color Negative Duping | Motion Picture | P | 1000 2000 | ||||||
Fuji Fujicolor Positive FCP | Color Positive | Motion Picture | P | No | 1000 2000 3000 4000 6000 | |||||
Fuji Fujichrome Velvia | Color Slide | Still Picture | Daylight | Pan | 50 | P | No | E-6 | ? | |
Fuji Fujichrome 64 Professional T | Color Slide | Still Picture | Tungsten | Pan | 64 | P | No | E-6 | ? | |
Fuji Fujichrome 100 Professioanl D | Color Slide | Still Picture | Daylight | Pan | 100 | P | No | E-6 | ? | |
Fuji Fujichrome Provia 100 | Color Slide | Still Picture | Daylight | Pan | 100 | P | No | E-6 | ? | |
Fuji Fujichrome Provia 400 | Color Slide | Still Picture | Daylight | Pan | 400 | P | No | E-6 | ? | |
Fuji Fujichrome Provia 1600 | Color Slide | Still Picture | Daylight | Pan | 1600 | P | No | E-6 | ? | |
Fuji Fujichrome Sensia 100 | Color Slide | Still Picture | Daylight | Pan | 100 | P | No | E-6 | ? | |
Fuji Fujichrome Sensia 200 | Color Slide | Still Picture | Daylight | Pan | 200 | P | No | E-6 | ? | |
Fuji Fujichrome Sensia 400 | Color Slide | Still Picture | Daylight | Pan | 400 | P | No | E-6 | ? | |
Fuji Fujicolor 160 Professional (NLP) | Color Negative | Still Picture | Tungsten | Pan | 160 | P | No | C-41 | ? | |
Fuji Fujicolor 160 Professional (NSP) | Color Negative | Still Picture | Daylight | Pan | 160 | P | No | C-41 | ? | |
Fuji Fujicolor 400 Professional HG | Color Negative | Still Picture | Daylight | Pan | 400 | P | No | C-41 | ? | |
Fuji Fujicolor New Reala | Color Negative | Still Picture | Daylight | Pan | 100 | P | No | C-41 | ? | |
Fuji Fujicolor Super G Plus 100 | Color Negative | Still Picture | Daylight | Pan | 100 | P | No | C-41 | ? | |
Fuji Fujicolor Super G Plus 200 | Color Negative | Still Picture | Daylight | Pan | 200 | P | No | C-41 | ? | |
Fuji Fujicolor Super G Plus 400 | Color Negative | Still Picture | Daylight | Pan | 400 | P | No | C-41 | ? | |
Fuji Fujicolor Super G Plus 800 | Color Negative | Still Picture | Daylight | Pan | 800 | P | No | C-41 | ? | |
Fuji Fujicolor Super HG 1600 | Color Negative | Still Picture | Daylight | Pan | 1600 | P | No | C-41 | ? | |
Fuji Neopan Professional 400 | B&W Negative | Still Picture | Daylight | Pan | 400 | P | No | Standard | ? | |
Fuji Neopan Professional 1600 | B&W Negative | Still Picture | Daylight | Pan | 1600 | P | No | Standard | ? | |
ILFORD FP4 Plus | B&W Negative | Still Picture | Daylight | 125 | 100 | P | No | Standard | ? | |
ILFORD HP5 Plus | B&W Negative | Still Picture | Daylight | 400 | 200 | P | No | Standard | ? | |
ILFORD Pan F Plus | B&W Negative | Still Picture | Daylight | 50 | P | No | Standard | ? | ||
ILFORD Delta 100 | B&W Negative | Still Picture | Daylight | 100 | P | No | Standard | ? | ||
ILFORD Delta 400 Professional | B&W Negative | Still Picture | Daylight | 400 | P | No | Standard | ? | ||
ILFORD XP2 400 | B&W Negative | Still Picture | Daylight | 400 | P | No | C-41 | ? | ||
ILFORD ILFOCHROME MICROGRAPHIC | Color slide | Micro Film | Tungsten | 1 | P/U | No | P-5 | 100 | ||
Kodak Imagelink HQ | B&W Negative | Micro Film | Tungsten | Pan | 20 | U | no | Standard | 100 132 1000 | |
Kodak Duplicating | B&W Negative | Micro Film | Tungsten | Blue | 0.25 | U | no | Standard | 1000 2000 | |
Kodak Thermal Print Film KF | B&W Negative | Micro Film | UV | Blue | U | no | heat | 2000 | ||
Kodak Imagelink FS | B&W Negative | Micro Film | Tungsten | Pan | 80 | U | no | Standard | 100 | |
Kodak Diazo D | B&W Positive | Micro Film | UV | Blue | U | no | ammonia | 1000 | ||
Kodak Direct Duplicating | B&W Positive | Micro Film | Tungsten | Ortho | 0.05 | U | no | Standard | 100 1000 1600 | |
Kodak COM DR Direct Reversal | B&W Positive | Micro Film | Tungsten | Blue | U | no | Standard | 74 150 | ||
Kodak Direct Duplicating Intermediate | B&W Positive | Micro Film | Tungsten | Ortho | 0.015 | U | no | Standard | 1000 | |
Kodak Imagelink CM | B&W Positive or Negative | Micro Film | Tungsten | Blue | U | no | Standard | 75 159 | ||
Kodak Diazo C | Blue & White Positive | Micro Film | UV | Blue | U | no | ammonia | 1000 | ||
Kodak Kodachrome 25 | Color Positive | Motion Picture | Daylight | 25 | P | no | K-14 | ? | ||
Kodak Kodachrome 25 Professional | Color Positive | Motion Picture | Daylight | 25 | P | no | K-14 | ? | ||
Kodak Kodachrome 200 | Color Positive | Motion Picture | Daylight | 200 | P | no | K-14 | ? | ||
Kodak Kodachrome 200 Professional | Color Positive | Motion Picture | Daylight | 200 | P | no | K-14 | ? | ||
Kodak Kodachrome 64 | Color Positive | Motion Picture | Daylight | 64 | P | no | K-14 | ? | ||
Kodak Kodachrome 64 Professional | Color Positive | Motion Picture | Daylight | 64 | P | no | K-14 | ? | ||
Kodak Kodachrome 40A | Color Positive | Motion Picture | Tungsten | 40 | P | no | K-14 | ? | ||
Kodak Ektachrome 64 Professional | Color Positive | Still Picture | Daylight | 64 | P | no | E-6 | ? | ||
Kodak Ektachrome 64T Professional | Color Positive | Still Picture | Tungsten | 64 | P | no | E-6 | ? | ||
Kodak Ektachrome 64X Professional | Color Positive | Still Picture | Daylight | 64 | P | no | E-6 | ? | ||
Kodak Ektachrome 100 Professional | Color Positive | Still Picture | Daylight | 100 | P | no | E-6 | ? | ||
Kodak Ektachrome 100x Professional | Color Positive | Still Picture | Daylight | 100 | P | no | E-6 | ? | ||
Kodak Ektachrome Lumiere 100 Professional | Color Positive | Still Picture | Daylight | 100 | P | no | E-6 | ? | ||
Kodak Ektachrome Lumiere 100x Professional | Color Positive | Still Picture | Daylight | 100 | P | no | E-6 | ? | ||
Kodak Ektachrome 160T | Color Positive | Still Picture | Tungsten | 160 | P | no | E-6 | ? | ||
Kodak Ektachrome 200 Professional | Color Positive | Still Picture | Daylight | 200 | P | no | E-6 | ? | ||
Kodak Ektachrome 320T Professional | Color Positive | Still Picture | Daylight | 320 | P | no | E-6 | ? | ||
Kodak Ektachrome 400x Professional | Color Positive | Still Picture | Daylight | 400 | P | no | E-6 | ? | ||
Kodak Ektachrome P1600Professional | Color Positive | Still Picture | Daylight | 1600 | P | no | E-6 | ? | ||
Kodak Ektachrome Infrared | Color Positive | Still Picture | Daylight and Infrared | P | no | E-6 | ? | |||
Kodak Ektachrome Underwater | Color Positive | Still Picture | Daylight underwater | P | no | E-6 | ? | |||
Kodak 5277 | Color Negative | Motion Picture | Tungsten | 200 | 320 | P | yes | 100 200 400 1000 | ||
Kodak 5279 | Color Negative | Motion Picture | Tungsten | 320 | 500 | P | yes | 100 200 400 1000 | ||
Kodak 5245 | Color Negative | Motion Picture | Daylight | 50 | P | yes | 100 200 400 1000 | |||
Kodak 5248 | Color Negative | Motion Picture | Tungsten | 64 | 100 | P | yes | 100 200 400 1000 | ||
Kodak 5247 | Color Negative | Motion Picture | Tungsten | 80 | 125 | P | yes | 100 200 400 1000 | ||
Kodak 5293 | Color Negative | Motion Picture | Tungsten | 125 | 200 | P | yes | 100 200 400 1000 | ||
Kodak 5297 | Color Negative | Motion Picture | Daylight | 250 | P | yes | 200 400 1000 | |||
Kodak 5298 | Color Positive | Motion Picture | Tungsten | 500 | 320 | P | yes | 400 1000 | ||
Kodak 5231 | B&W Negative | Motion Picture | Daylight | Pan | 80 | 64 | P | No | Standard | 400 1000 |
Kodak 5222 | B&W Negative | Motion Picture | Daylight | Pan | 250 | 200 | P | No | Standard | 400 1000 |
Kodak Ektar 25 Professioanl | Color Negative | Still Picture | Daylight | Pan | 25 | P | No | C-41 | ||
Kodak Ektapress Plus 100 | Color Negative | Still Picture | Daylight | Pan | 100 | P | No | C-41 | ||
Kodak Ektapress Plus 200 | Color Negative | Still Picture | Daylight | Pan | 200 | P | No | C-41 | ||
Kodak Ektapress Plus 400 | Color Negative | Still Picture | Daylight | Pan | 400 | P | No | C-41 | ||
Kodak Ektapress Plus 1600 | Color Negative | Still Picture | Daylight | Pan | 1600 | P | No | C-41 | ||
Kodak Gold 100 | Color Negative | Still Picture | Daylight | Pan | 100 | P | No | C-41 | ||
Kodak Gold 200 | Color Negative | Still Picture | Daylight | Pan | 200 | P | No | C-41 | ||
Kodak Gold 400 | Color Negative | Still Picture | Daylight | Pan | 400 | P | No | C-41 | ||
Kodak Royal Gold 25 | Color Negative | Still Picture | Daylight | Pan | 25 | P | No | C-41 | ||
Kodak Royal Gold 100 | Color Negative | Still Picture | Daylight | Pan | 100 | P | No | C-41 | ||
Kodak Royal Gold 200 | Color Negative | Still Picture | Daylight | Pan | 200 | P | No | C-41 | ||
Kodak Royal Gold 400 | Color Negative | Still Picture | Daylight | Pan | 400 | P | No | C-41 | ||
Kodak Royal Gold 1600 | Color Negative | Still Picture | Daylight | Pan | 1600 | P | No | C-41 | ||
Kodak Pro 100 | Color Negative | Still Picture | Daylight | Pan | 100 | P | No | C-41 | ||
Kodak Pro 400 | Color Negative | Still Picture | Daylight | Pan | 400 | P | No | C-41 | ||
Kodak Pro 400 MC | Color Negative | Still Picture | Daylight | Pan | 400 | P | No | C-41 | ||
Kodak Vericolor II Professional Type L | Color Negative | Still Picture | Tungsten | Pan | 100 | P | No | C-41 | ||
Kodak Vericolor III Professional Type S | Color Negative | Still Picture | Daylight | Pan | 160 | P | No | C-41 | ||
Kodak High Speed Infrared | B&W Negative | Still Picture | Daylight | Infrared | 50 | P | No | Standard | ||
Kodak Plus-X Pan | B&W Negative | Still Picture | Daylight | Pan | 125 | P | No | Standard | ||
Kodak 2475 Recording | B&W Negative | Still Picture | Daylight | Pan | 1250 | P | No | Standard | 36 exposure rolls only | |
Kodak Royal Pan | B&W Negative | Still Picture | Daylight | Pan | 400 | P | No | Standard | ||
Kodak T-Max 100 Professional | B&W Negative | Still Picture | Daylight | Pan | 100 | P | No | Standard | ||
Kodak T-Max 400 Professional | B&W Negative | Still Picture | Daylight | Pan | 400 | P | No | Standard | ||
Kodak T-Max P3200 Professional | B&W Negative | Still Picture | Daylight | Pan | 3200 | P | No | Standard | ||
Kodak Technical Pan | B&W Negative | Still Picture | Daylight | Pan | 25 | P | No | Standard | ||
Kodak Tri-X Pan | B&W Negative | Still Picture | Daylight | Pan | 400 | P | No | Standard | ||
Konica Chrome R-100 | Color Positive | Still Picture | Daylight | Pan | 100 | P | no | E-6 | ? | |
Konica VX 100 | Color Negative | Still Picture | Daylight | Pan | 100 | P | no | C-41 | ? | |
Konica VX 200 | Color Negative | Still Picture | Daylight | Pan | 200 | P | no | C-41 | ? | |
Konica VX 400 | Color Negative | Still Picture | Daylight | Pan | 400 | P | no | C-41 | ? | |
Konica SR-G3200 | Color Negative | Still Picture | Daylight | Pan | 3200 | P | no | C-41 | ? | |
Konica SR-G160 | Color Negative | Still Picture | Daylight | Pan | 160 | P | no | C-41 | ? | |
Konica Impresa 50 | Color Negative | Still Picture | Daylight | Pan | 50 | P | no | C-41 | ? | |
Konica Infrared 750 | B&W Negative | Still Picture | Daylight | Infrared | ? | P | No | Standard | ||
Polaroid HD 100 | Color Negative | Still Picture | Daylight | 100 | P | no | C-41 | ? | ||
Polaroid HD 200 | Color Negative | Still Picture | Daylight | 200 | P | no | C-41 | ? | ||
Polaroid HD 400 | Color Negative | Still Picture | Daylight | 400 | P | no | C-41 | ? | ||
Polaroid Polachrome CS | Color Positive | Still Picture | Daylight | 40 | P | no | Polaroid | ? | ||
Polaroid Polapan CT | B&W Positive | Still Picture | Daylight | 125 | P | no | Polaroid | ? | ||
Polaroid Polagraph HC | B&W Positive | Still Picture | Daylight | ? | P | no | Polaroid | ? | ||
Scotch Scotchchrome 640T | Color Positive | Still Picture | Tungsten | 640 | P | no | E-6 | ? | ||
Scotch Scotchchrome 100 | Color Positive | Still Picture | Daylight | 100 | P | no | E-6 | ? | ||
Scotch Scotchchrome 400 | Color Positive | Still Picture | Daylight | 400 | P | no | E-6 | ? | ||
Scotch Scotch 100 | Color Negative | Still Picture | Daylight | 100 | P | no | C-41 | ? | ||
Scotch Scotch 200 | Color Negative | Still Picture | Daylight | 200 | P | no | C-41 | ? | ||
Scotch Scotch 400 | Color Negative | Still Picture | Daylight | 400 | P | no | C-41 | ? |
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